At that time genre paintings capturing moments of everyday life became very popular and in a way foreshadowed the later arrival of Realist trends. The figures in this interior scene are rendered in a somewhat simplified manner close to contemporary bourgeois self-presentation. Belgian painter of genre, he studied under F.
He made his debut in at an exhibition in Antwerp with his painting "Girl". In he exhibited in Brussels, in in the Hague, and in was awarded the gold medal in Paris. The artist created an informal, intimate portrait in line with the Biedermeier period however, he already introduced some topical historicizing features. The painting shows certain features reminiscent of Baroque or Rococo portraits e. Austrian painter, he studied at the Academy of Arts in Vienna.
In he came to Prague and Carlsbad, where he produced many portraits. In he was active in Budapest and in in Bratislava, where he portrayed members of the most famous aristocratic families. In he worked in Frankfurt and Wiesbaden. He was a much sought after portraitist, he produced mainly oil paintings and watercolours. He also executed fresco paintings and altar paintings.
Havelka and an expertise on the painting technique. This painting shows a female nude reflecting in a mirror, which gives the depicted dressing scene certain depth. The female figure and the interior is rendered in a realist but still somewhat "studio" palette, the dominating shades are browns. The figure is enclosed by firm outlines accentuating the Classicizing treatment of the scene.
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The diffuse soft light contributes to the harmonious effect of the depicted scene. French painter, pupil of the landscape painter Jean Gigoux. He made his debut at the Paris Salon in He became renowned for his interior scenes with characteristic evening illumination, genre scenes, female portraits and nudes. This still-life derives from Realism of the Biedermeier period apparent in the use of natural light and local palette. The artist still uses chiaroscuro to a certain degree, which is a sign of early Historism e.
Swedish painter of genre and historical scenes and portraits.
He studied in Copenhagen, Munich - 54 , Stockholm and Paris - He was a member of the Academy in Stockholm and in became the director. His early work includes genre paintings depicting scenes from everyday life, later he turned to historical genre paintings with picturesque architecture. This lot is a mature example of the Biedermeier treatment of portraits. Although it is a small size portrait it was painted in the similar way as period large portrait commissions.
The portrayed half-length male figure is seen in natural diffuse light, the harmony of the scene is also supported by the monochrome grey background devoid of light effects. Austrian painter of religious themes.
There is a painting of the Crucifixion by him dated in Persenbeug. This half-length female figure most probably forms a pair with the above lot. The simple composition of this portrait seen from profile and the artist's interest in detail refer to the period of Biedermeier. Hungarian portraitist and figural painter, he studied in Vienna. This painting is most probably a pair with the following lot.
The painting belongs to the boundary period of Romanticism and Biedermeier. Blue was the signal colour of Romanticism while the intimate character of the scene refers to the Biedermeier period. Forms are stylized in simplified enclosed volumes; the figure stands out against a neutral background.unokyqedanyq.tk
19Th Century European & Orientalist Art | Impressionism | Portrait Painting
This lot is an example of popular Romantic mood landscapes with characteristic features, e. The vegetation in the foreground is rendered in detail and the foreground is enlivened with staffage playing the role of involved observers. This vivid genre scene bathed in southern sunshine shows the artist interest in the characteristics of life in the Mediterranean. Austrian painter of genre and historical scenes. He studied under his father Johann Till and under C.
Ruben and L. Kupelwieser at the Vienna Academy of Arts. He went on study stays to Italy and France, after his return he settled in Vienna. Roman Prahl CSc. This lot is a small size informal interior scene executed in dynamic sketch-style brush strokes. Czech painter, draughtsman and graphic artist, he studied under Ch. Ruben at the Academy of Arts in Prague, then under G. Wappers in Antwerp and L.
Gallait in Brussels and Paris. He travelled widely and drew inspiration mainly from the history of south Slavonic countries. His historical paintings reflect the influence of Romanticism and the influence of paintings by Delacroix. In the s he became concerned with realism and painted mainly portraits, still-lifes and landscapes. This lot is a Romantic painting with its characteristic motifs lakes, mountains, waterfalls etc. The subject - a nocturne - takes its source from 17th-century Dutch landscape painting, the so-called "Golden Age".
German painter, he was trained as a xylographer, then studied painting in Munich, and under Troyon in Paris. He was awarded several prizes in London and Melbourne, he often exhibited in Germany. This painting renders one of the painter's favourite subjects - the study of animal physiognomy often represented a challenge for him to elaborate his dynamic style of rendition. The painting is a fine example of his brushwork, it is executed in darker studio colours but it gives a fresh and lively impression since it also has the quality of a deft sketch.
Czech painter, pupil of Ruben at the Academy of Arts in Prague and of Couture in Paris, initially he was concerned with historical themes, after his stay in France his work was stamped with the influence of the French Barbizon school of landscape painting. His masterpieces - Place de la Concorde, Horse market - originated in the s. His paintings from the s e. Horses in water, Horse trader are again of rectangular format and are rendered in a patchy brushwork close to Impressionist planeness. Barvitius focused on paintings of horses, he is also known for his urban motifs and his interest in issues related to light.
This lot is an open air study, executed in dynamic brushwork with impasto. The treatment of light and the choice of greens and shades of brown show the artist almost abandoned his former Romantic approach and aimed at a more realist rendition of the subject matter.
Czech landscape painter, he studied under professor Haushofer at the Academy of Arts in Prague and then in Vienna, his early work includes historical and figural paintings, in the s he devoted himself to landscape painting.
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The artist renders a popular theme on the boundary of landscape and genre painting. Human figures are replaced by anthropomorphicized animal figures. The scene is set in a mountainous landscape, showing the painter's acquaintance with Alpine scenery. The darkened palette is penetrated by a misty atmosphere. The painting is an idyllic scene revived from the period of Romanticism. Czech painter, gem cutter and glass engraver, he studied under professor Seitz at the Academy of Arts in Munich, he painted portraits, hunting scenes, historical and genre scenes.
The painting depicts a female with a saintly expression in her face; the artist applied a painting technique reminiscent of Old Masters in line with the period Historism and Neo-Romanticism e. Czech painter and illustrator, son of the famous sculptor Josef Max. Piloty in Munich. Initially he was influenced by Realism and Naturalism, in the s he turned to Neo-Romantic paintings reflecting his interest in occultism and his paintings from this period already foreshadow the advent of Symbolism.
The artist focused on the spiritual content of the theme which he set in a partly naturalist and partly historicizing setting. The theme is not unambiguous; the praying female figure reminds us of legends of penitents and saints, turning to meditation e. Mary Magdalene. The figure is depicted in a natural setting perhaps on an island according to the rocks and the sea in the background accentuating the impression of solitude. The painting depicts a gallantry scene - a gentleman being introduced to a lady - rendered in line with period historicism the figures are dressed in 17th-century attire; the scene is set in a Baroque interior.
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The painting is stamped with the influence of 17th-century Dutch painting; however the historical setting and attire are rendered in a naturalistic manner, apparent also in the employment of natural light without theatre effects and contrasts. Dutch painter of genre, he studied at the Academy of Arts in Antwerp, he was appointed professor at the Academy of Arts in Amsterdam, in he was awarded a medal in Paris. This intimate interior scene reflects the influence of historicism of the third third of the 19th century. The figures are dressed in Renaissance style clothes while during the period of Romanticism it was mostly Mediaeval inspiration.
The painting also shows realistic treatment of light and colour, some parts of the painting are left in the state of a sketch, which gives it a vivid quality. German landscape painter, son of the painter Adrian Schleich, he studied under W. He is known for his small scale landscapes enlivened with staffage. The landscape is enlivened with Romantic motifs; the painter renders the subject in a detailed, descriptive manner but also pays attention to the qualities of light and colour.
His chief themes were Czech castles and history.